Review: Scatgirls from Space, SOD, Japan, 2002
"Scatgirls from Space", Japan 2002, S.O.D. ( Soft on Demand )
Directed by Noboru Iguchi
Noboru Iguchi directed horror movies and softer porn movies before ( Pink Series ), but also some of the hardest scat/vomit movies later. His scatmovies have complex stories and only the best actresses. Anna Kuramoto and Konomio Outomo play the leading roles in this feature movie. The other three girls are top actresses too, but her names are on the box cover in japanese only. My girlfriend has bought the VHS version in 2002. I dont know, if the DVD version has any supplementary material.
"Scatgirls from Space" has a weird story, and I must confess, that I had difficulties following the plot, even if my japanese girlfriend translated some passages. Even she didnt understood the story to 100%. The movie has quite a lot of dialogue and several subplots.
The movie starts with the flight of a spaceship. The flaceship flights very fast to the earth, exactly towards Japan, more precise: Tokio. It isnt landing, but flying through the airspace of Tokio. Anna, walking through the streets, looks up to the sky. She does some dirty work for a gang member, smuggling blueprints and selling them. ( Maybe electronic schematics of Sonys next Beta vcr ? ) The member of the gang awaits her in a wrecking house, located far from the centre of Tokio. Her "friend" takes the blueprint and pays her. He has a new mission for her, but suddenly the earth is shaking. An earthquake, sadly not uncommon in Japan, or .... no, the spaceship is responsible for this. On board of this spaceship are spacegirls and a ( not very intelligent ) man. Konomios and her crews mission is to find the blueprint. Konomio is beamed down to earth, materializing nearby Anna. Anna and her "friend" are so astonished, that the Spacegirl can catch the blueprint and runs away. Now the blueprint is gone ! But a brutal gang of sadists are also looking for this blueprint. They are masked and without mercy. They catch Annas criminal "friend" and nearly Anna too. Anna can escape, but they have espionaged Annas private life very well and catch one of her girlfriends. She is threatened with death and they force her to call Anna with her handy to lurk her into a trap. Anna isnt suspicious, when her girlfriend calls her, so she goes to the meeting point. A man, who was hurt by the brutal gang, is bleeding out of his mouth and tries to warn Anna. But he cant speak anymore. Anna is shocked and paralyzed with fear. She is caught by the brutal gang. All three of them are locked up in a room. They want to knew, where the blueprint is. Annas criminal "friend" explains, that a spacegirl had stolen it. But they dont believe this at all. ( Who would ? )
Anna has to go to the toilet, but the gang members dont allow that. She has to shit in public, they have the idea to torture her with her shit. They grab it with a gripping pliers and hold it under her nose and threat to put it into her mouth ! Anna cries and sheds tons of tears, "Please dont ! I dont have it anymore !", they stop at the last moment and lock her away with the other girl. Anna is so heavily traumatized, that she thinks, she has to execute harakiri. Because she has no knife, she tries to strangle herself, with her bare hands. Blood is pouring out of her mouth. Her girlfriend stops her at the last moment. They cry and weep together, suicide is no answer. The brutal gang members enter the room and want to rape her girlfriend. Suddenly, Annas girlfriend is hit by a bolt out of nowhere and changes into a Samurai Superheroine. I didnt understood, if she had these powers before, or if the crew of the Spacegirls was responsible for this. Because after the fight goes on, the Spacegirl beams into the scene too. All three fight very brave and are able to hurt the brutal gangsters, but Anna is catched again. Later her girlfriend can free her, but she looses her superpowers and is also caught. Even the spacegirl is captured and is tortured with scat play. With her spacehelm on her head, she is pressed into her own scat. But these gangsters couldnt know, that these Spacegirls enjoy scatgames. Konomio is only pretending, that she doesnt like eating shit. Its difficult to hide her orgasm, the gangsters are confused and she uses this situation to escape. After a few of such "Tom and Jerry games" ( hunting, running, catching, escaping ), Anna is catched again and freed by the spacegirl. Before, they have tortured Anna again with scat and with very rough treatment, she was full of fear and nearly vomitted. Even the brutal gangsters are sure now, that Anna hasnt the blueprint anymore ! This spacegirl has stolen it ! The spacegirl lends Anna a spacesuit and they are beamed onto the spaceship. In several situations before, Anna and the spacegirl talked a lot and knew very fast, that they had stronger feelings as only that of a friendship. They are in love with each other. After the beaming, the spacegirl tries to show Anna the spaceship, but suddenly, a laser gun is pointed at both. The brutal gangsters have hijacked the spaceship ! All of the spacegirls were imprisoned. The leader of the gang forces Anna and Konomio, to vomit on each other and do even more nasty things ! Anna is shocked and weeps again. But they have no choice, they have to do this, or they will be shot ! "Vomit on each other", demands the sadistic gangster. You have to watch this vomit scene to believe it ! Anna vomits over Konomio and vice versa ! An almost endless stream of vomit floods down on the face of the other woman. Both take as much as they can in the mouth. Anna cries and whines, because she dont want to be shot by the gangster, but she also has to confess to herself, that she likes these vomit games. She loves the spacegirl so much, it is so natural to do this. She should be disgusted, but she isnt, she is aroused. The gangster marvels at the sex acts performed before his eyes. What was meant as a torture punishment, turned into pure lust. The spacegirl uses this moment of dazzlement, to kick the lasergun out of his hand and she is grabbing the weapon as fast as a flash. Without a warning, she eradicates him with her lasergun. It is unclear (too me), if the other members gave up and left the spaceship, or if they were eradicated by the other members of the spaceship. Or if only one member of the gang entered the spaceship.
Maybe Konomio explained it, but it is difficult to understand an actress, who has her mouth full with vomit and this in japanese too ;-) The director now focuses only on Anna and Konomio.
" After vomitting, the gangster wanted to force us to eat our shit.", " Spacegirl, I....., I enjoyed what we just did. I am so happy, that these evildoers are gone. But I enjoyed it so much. ", " We should continue. Now without force. "
It follows the most intense and lovely scat kissing scene Ive seen. Both exchange the scat, from mouth to mouth, both take it incredible deep into her mouth ( its a very big piece of shit ), sometimes they have to cope with this, some tears are shed, but both finally explode in an incredible orgasm at the end. After I rewinded to this scene for the 4th time, I was shocked, that it didnt nauseated me at all, but strongly aroused me. The blueprint doesnt matter anymore. Konomio had to accomplish her mission, but Anna didnt asked anymore, who would, after this hot scatsession ? " I love you so much, Spacegirl. I want to follow you to the end of the universe. " - Konomio loves her too. But this relationship isnt possible. The Spaceship has to leave the orbit of earth and they have to travel further through space. It isnt possible for a japanese girl, to travel on this spaceship. Konomi uses her lasergun to shoot Anna. But the phaser was set on "mind blanking/anesthetize" only. Anna falls into coma and is beamed down. Her criminal "friend" is sitting on the bank. She wakes up at once, exhausted after all the trouble. He promises Anna to avoid criminal business in the future. Anna doesnt remember what happened, but she has a strange taste on her tongue. The spaceship travels into hyperspace. The blue sky of Tokio shows strange silver arrearages. " Strange ", says Anna to her friend,
" this looks so common to me."
On the spaceship, the spacegirl still has some pieces of Annas shit in her face and some pieces are lying beside her on a desk. While she has the steering wheel of the spaceship in her hands, she savours the last pieces of Annas scat, eating it, very slowly.
It is so delicious. The pictures of her common scatsession visualize before her minds eye. She cries and weeps. She has found her deep love, million of lightyears away, but she has to leave her. While flying away into the eternal space, Anna performs shadow boxing , to gain new strength and find her inner harmony again.
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This is a cult movie in Japan, not only because Noburi Iguchi is a cult director, but also because this movie is very unusual, even for japanese scat movies. It works on many levels. It is an ultra hard scatporn ( at least for non-Japanese viewers, its only average for Japanese viewers ), but also a sci-fi movie, also a romantic love story, also a crime movie and also a C-Picture. The "special-FX" are very cheap, its very funny to look at them. Its in the tradition of the 3rd rate Toho scifi movies from the 70s. Even worse. Iguchi works with insinuations and allusions. Of course, the aforementioned Toho movies, but also Roger Cormans "Battle of the Planets" and Kitanos crime movies are recycled. The ubiquitous "Super Samurai" isnt missing. The camera is partly exemplary for japanese scat movies, e.g. the splitted screen. A small window picture, where you see the expressions of the womans face, when she shits. Partly his camera work is very uncommon. Ive read years ago, that Iguchi wasnt only a fan of japanese and US B-movies, but also of the old japanese theatre and german "new cinema" movies, especially Hans-Jürgen Syberberg. Syberberg is especially famous for his 8 hour long "Hitler" movie. But all of his movies are in the same style. This is filmed theatre, dialogue is more important as the action on screen, setting is very economical, acting is very slow, many scenes remind me of this style. This movie is full with female degradation, torturing, bondage, brute force, etc. Normally I dont like this at all, but here it perfectly fits into the story. It isnt used as an end in itself, only to string together brutal scene after rape scene, as it is done in many japanese scat/rape movies. And the message of the movie is a very feministic one: " Women, accept your deepest desires, even if they frighten you. Fight against male domination." The "Scatgirls from Space" are dominant, brave, intelligent and emotional. The unhappy ending made me very sad, I shed a lot of tears too.
Ive seen this movie around two dozen times now, still dont understand all parts of the story, maybe misunderstood some, but it opened a door for me, I hadnt entered without watching this movie. Its very hard stuff for the average porn consumer. Most here would say disgusting. Terrible ! Perverse ! Try it if you dare. Its much more easier to cope with it, if you dont like it at all, as when you discover, that you like it. Ive watched quite a lot of japanese scat movies after this masterpiece, and many feature movies have a very high level, but this extraordinary movie still has a special place in my heart.
Its still one of SODs best selling titles. Anna Kuramoto and Konomio Outomo are scat goddesses. The rest of the cast is - especially the women - fantastic too. I still have the sentimental end title of the "Scatgirls from Space" in my head.
No porn collection is complete without this masterpiece.
I rate it 10/10. ( Because I dont want to shock anyone here, the backcover is full with ähm extreme photos, I have only included the tame front cover here, nice gag: holding the spaceship model in the hand, that was used for grade C "special FX" in the movie )
Copyright: SOFT ON DEMAND, Japan, 2002/08
Last edited by Caroline-NL; 02-29-2008 at 12:20 PM.
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